Despite the lack of special legislation introducing tax rebates for foreign filmmakers, Poland maintains a good average of more then a dozen internationally coproduced titles annually. The main source of public funding for these projects are the grants offered by the Polish Film Institute (www.pisf.pl), available to Polish producers involved in international projects.
In accordance with The European Coproduction Convention requirements, Poland invests a minimum of 20% of the funding for a film produced by two countries and a minimum of 10% for a triple coproduction to qualify under the terms of the convention. To become a minority coproducer with the aid of public funding the Polish partner must have a 50% input, provided that 80% of the grant is spent in Poland. The producers of international titles can apply for the same amount of incentives or loans as the local productions.
Poland is most often a partner in 2 or
3 country coproductions, but recently Polish filmmakers have become
interested in taking part in more diverse production teams. The
companies leading in the number of projects made with foreign
partners are Ozumi Films (www.ozumifilms.com),
MS Films (www.msfilms.pl),Opus
Film (www.opusfilm.com),
SPI Film Studio (www.spifilmstudio.com)
and Apple Film (www.applefilm.pl.
Private broadcasters in Poland have also became more involved
coproductions, with Canal+Polska (www.canalplus.pl) announcing its
plans to increase its involvement in coproductions in 2011 and
2012.
One of the biggest projects this year is the
Italian-Polish-Turkish co-production September 11, 1638, a
historical drama about the Battle of Vienna that took place on 11 and
12 September 1683. The film is produced by Martinelli Film Company in
coproduction with the Polish company Agresywna Banda
(www.agresywnabanda.com)
and Tandem Film (www.tandemfilm.com)
from Romania. The budget of the production is 50 million PLN (EUR
12.7 million), with 2 million PLN in financing from the Polish
Film Institute. The large-scale production involved 100 actors,
10,000 extras and 3,000 horses.
In 2011 Polish
filmmakers also continued the long co-operation with the Czech film
industry. Piotr Mularuk directed a Polish/Czech coproduction
Yuma, a drama about the harsh reality of life after the fall
of communism in the early 1990's. The film received EUR 1.5
milion funding from PISF and the Czech film fund. The
majority producer is Polish Yeti Films (www.yetifilms.com)
and the minority Czech coproducer is Evolution Films
(www.evolutionfilms.cz)
in coproduction with Czech companies Avion (www.avion.net)
and Bystrouska (www.bystrouska.cz).
In March of 2011 the Czech director David Ondricek started
shooting In The Shadow, a Czech-Polish-Slovak co-production.
The film is a thriller set in Prague in the 1950's, produced by
Ondricek's Czech company Lucky Man Films
(www.luckymanfilms.com), Poland's
Centrala (www.centralafilm.pl)
and Slovakia's Trigon Production (www.trigon-production.sk).
The budget of the production is over 11 million PLN. (EUR 2.7
million). The film received 1 million PLN funding from the Polish
Film Institute.
In May of 2011 Andrzej Jakimowski started
production on his Blind Watching. The director, popular for
the Polish Oscar entry Tricks, wrote a script following a
story of a charismatic blind orientation teacher and his relationship
with a blind patient. The film is an international coproduction
between ZAiR (www.zair.eu),
KMBO (www.kmbofilms.com),
and Filmes do Tejo II Multimedia (www.filmesdotejo.pt)
and is funded by the Polish Film Institute, the Centre National de la
Cinematographie, the Institito Do Cinema E Do Audiovisual (ICA),
Canal + Cyfrowy Poland (www.canalplus.pl)
and Forum Film Distribution (www.forumfilm.pl).
One the most complex films made this year with Polish
participation was an animated feature Crulic - The Path To
Beyond, written and directed by Anca Damian (Crossing Dates).
The Romanian-Polish coproduction is based on the story of Claudiu
Crulic, a 33-year-old Romanian who starved himself to death in a
Polish prison in 2008. The title is an innovative and elaborate mix
of animation, photographs and documents,The film is produced by
Aparte Film (www.apartefilm.net)
with the support of Fundacja im. Ferdynanda Magellana
(www.fmagellan.pl)
through the Polish coproducer Arkadiusz Wojnarowsky, EUR 50,000 from
the Polish Film Institute, and EUR 10 000 from the Krakow Film
Commission (www.film-commission.pl),
and the Romanian Ministry of Culture and Editura Video
(www.editura-video.ro)
granted EUR 46 000.
PISF has also given grants this year to
six major international projects. Czech director Marek Najbrt is
currently shooting his new drama entitled Polish Film, a
comedy following the lives of four actor friends who meet up after
many years and decided to make a film. The filmmaker received 1
million PLN (EUR 250,000) from the Polish Film Institute on the
condition that he will shoot in Poland and with a Polish crew. The
Polish coproducer is Off Production. The project also received 1
million PLN in financing from Leszek Czarnecki, the owner of Noble
Bank. The Czech filmmaker received significant support from the
Krakow Film Commission, facilitating the shoot in the region. Jacek
Borcuch ( All That I Love) started shooting his new drama
Lasting Moments in the beginning of September 2011. The film is a
Polish-Spanish coproduction between Manana (www.manana.pl)
and Espiral Producciones (Spain). The title received support from the
Polish Film Institute, Krakow Film Commission and the City of
Kwidzyn. On 10 September 2011 Irish director Norah McGettingan
finished shooting her debut drama Sanctuary exploring the
topic of mourning and the relationship between surviving family
members after the death of a loved one. The film is an international
co-production between the Poland's Wajda Studio (www.wajdaschool) and
an Irish production company Venom (www.venom.ie).
The film received financial support from the Polish Film Institute
and the Irish Film Board (www.irishfilmboard.ie).
International
projects supported by PISF this also involve two co-productions with
Israel that are still in preparation. The first one is Cyrilson
directed by Micha Levenshon and produced by Opus Film
(ww.opusfilm.com)
with a planned budget of 6.5 million PLN ( EUR 1.7 million) and
700,000 PLN financing from PISF. The second is Two, a drama
currently prepared by Oded Davidoff based on a short story written by
Isaac Basheviks Singer. The film is a coproduction between Polish
Yeti Films and two Israeli companies 2 Team Productions and Pie
Films. Two received financial support from PISF and Regional
Film Fund Of Lublin ( www.film.lublin.eu).
Several
of Polish co-productions made in 2011 have already been recognized at
major international film events including a very good reception
during 68th Venice IFF for Roman Polański's Carnage made in
co-production with SPI Film Studio (www.spifilmstudio.com),
Constantin Film Produktion (www.constantin-film.de)
and SBS Productions; as well as Land Of Oblivion, a
French-German-Polish film, co-produced by Dariusz Jablonski and Apple
Film Production with Films du Poisson (www.filmsdupoisson.com
) and Vanderastic (www.vandertastic.com).
High critical praise has also been received by this year's Polish
Oscar entry In Darkness, a new drama from Agnieszka Holland.
The moving WWII drama is a coproduction between Polish Studio Filmowe
ZEBRA (www.zebrafilm.pl),
Canadian The Film Works Ltd. and German Schmidtz Katze Filmkollektiv
(www.schmidtzkatze.eu),
and it is set for its cinema premiere in the beginning of 2012.